{"title":"Daniel J. Bryant","role":"Spec","image":"https:\/\/res.cloudinary.com\/roundabout-theatre-company\/image\/upload\/c_fill,g_auto,h_880,w_880\/f_auto\/q_auto\/v1551800334\/Headshots\/2018-2019-Season\/Toni-Stone\/Daniel-Bryant-aquame?_a=BAAAV6DQ","lede":null,"content":"

DANIEL J. BRYANT<\/strong> (Spec). <\/strong>Daniel is thrilled to be making his NY debut at Roundabout. Prior to this most of Daniel\u2019s work as an actor has been in Chicago and include \u201916th<\/sup> Street Theater\u2019s Broken Fences<\/em> and Master Harold and the Boys<\/em> at Timeline Theater, People\u2019s Temple<\/em> a rep of Topdog\/Underdog<\/em> and True West<\/em> co-produced between American Theater Company and Congo Square Theatre, where Daniel has been an ensemble member for more than a decade. Other Congo Square acting credits include Richard Wesley\u2019s The Talented, <\/em>Jeff nominated Joe Turner\u2019s Come and Gone<\/em> co-produced with the Goodman Theater and Lydia Diamond\u2019s original world premiere of Stick Fly<\/em>. Also at the Goodman, Daniel was seen in Vivisections from the Blown Mind<\/em> and By the Music of the Spheres<\/em>. A few additional theater credits include Wheatley<\/em> at Victory Gardens, A Clockwork Orange <\/em>at Steppenwolf Theatre directed by ensemble member Terry Kinney. At Chicago Theatre Company Daniel appeared in Do Lord Remember Me, <\/em>which garnered the BTAA award for best Ensemble and he was also nominated for BTAA\u2019s Best Featured Actor playing the role of Mouse in CTC\u2019s adaptation of Walter Mosley\u2019s A Red <\/em>a Death<\/em>. Regionally, he\u2019s appeared in the premiere production of Lynn Knottage\u2019s Las Meninas<\/em> at San Jose Rep, Kia Korthron\u2019 Slide, Glide the Slippery Slope<\/em> at the Mark Taper and the Louis Slotin Sonata<\/em> at Circle X Theatre in Los Angeles. Daniel is also a Voice over artist, theater director and producer.<\/p>","website":"","alt":null}